Najava predavanja Sarah Bay-Cheng

Odsjek dramaturgije ADU najavljuje predavanje Sarah Bay-Cheng (University at Buffalo, Techne Institute for Art and Emerging Technologies) u sklopu serije predavanja i radionica Introducing Dramaturgy Studies - a new interdisciplinary field of artistic and academic research

Gostovanje organiziramo uz pomoć donacije Promoting American Arts and Education Veleposlanstva Sjedinjenih Američkih Država u Zagrebu

17. 12. 2013. u 19:00, Akademija dramske umjetnosti, Trg maršala Tita 5, projekcijska dvorana

Veliki obračuni na malim ekranima: Kazalište i tehnologije u nastajanju

“Razmislite na sljedeći način. Prvi Internet bio je mjesto na koje ste išli. Spojili ste se dial-up vezom ili se ulogirali. To je bilo tamo, a vi ste bili ovdje. Novi Internet je naprosto ovdje.”

Kao što Dan Lyons primjećuje u svom nedavnom izvješću na ovogodišnjem Consumer Electronics Showu, uloga interneta i njegov utjecaj na kulturu se mijenjaju. 2012. je bila godina u kojoj se preko 50% Amerikanaca odlučilo za korištenje smartphoneova, a Svjetska banka je izvijestila da će globalne pretplate na mobilnu telefoniju uskoro brojčano nadmašiti svjetsko stanovništvo. Takve tehnološke promjene preoblikuju svaki aspekt ljudske kulture, uključujući način na koji komuniciramo, kako se socijaliziramo, kako pišemo, čitamo, mislimo i izvodimo. Ovo predavanje razmatra utjecaj sveprisutnih mobilnih i računalnih tehnologija na suvremenu izvedbu. Koji su novi vokabulari izvedbe u medijatiziranim i mobilnim okruženjima? Kako kazalište odgovara na svijet koji postaje sve zasićeniji tehnologijom? Vraćajući se na utjecajnu knjigu Berta O. Statesa o kazališnoj fenomenologiji, Great Reckonings in Little Rooms (1987), Sarah Bay-Cheng preispituje kazališno iskustvo u suvremenom medijskom krajoliku i njegov utjecaj na dramaturgiju 21. stoljeća.

Predavanje se izvodi na engleskom jeziku i otvoreno je za javnost.

 

Sarah Bay-Cheng is Professor of Theatre and the Founding Director for the Techne Institute for Art and Emerging Technologies at the University at Buffalo. The Techne Institute fosters the intersection of art and sciences through competitive funding, international artist residencies, and educational outreach. In 2010, she created the MA/PhD program in Theatre & Performance and currently serves as Director of Graduate Studies in Theatre. Her current research focuses on intersections of performance and technology, digital historiography and performance, and contemporary theatre, but she has previously published on modern drama and the avant-garde, including Gertrude Stein, poetic drama, and film history. Book publications include Mapping Intermediality in Performance (University of Amsterdam Press/University of Chicago Press, 2010), Poets at Play: An Anthology of Modernist Drama (Susquehanna University Press, 2010), and Mama Dada: Gertrude Stein's Avant-Garde Theater (Routledge, 2005). She is currently collaborating on a new book and website project, Taxonomies: Media x Performance with Jennifer Parker-Starbuck and David Saltz for the University of Michigan Press. She is a regular contributor to journals such as Yale/Theater, Theatre Journal (US), Performance Research (UK), among others. In 2012, Bay-Cheng created the book series Avant-Gardes in Performance for Palgrave Macmillan Press, which she currently co-edits with Martin Harries. From 2010-2013, she served as the Performance Review Editor for Theatre Journal (2010-2013), and is currently a member of the editorial board for the International Journal of Performance Arts and Digital Media. In 2012, she joined the Board of Directors for Performance Studies International (PSi). Since 2008, she has participated as a member of the working group for Intermediality in Theatre &  Performance, and the International Federation for Theatre Research (IFTR/FIRT).

Bay-Cheng is also a founding member of the Intermedia Performance Studio (IPS) at UB--an experimental performance collaboration integrating virtual reality, artificial intelligence, and live performance. She is an affiliated faculty member in the Department of Media Study, the Poetics Program in the Department of English, and the Department of Global Gender Studies. Bay-Cheng received her AB in Theatre and Film from Wellesley College and her PhD in Theatre from the University of Michigan. 

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