Najava gostovanja Sarah Bay-Cheng

SARAH BAY-CHENG (DEPARTMENT OF THEATRE AND DANCE; TECHNE 
INSTITUTE FOR ART AND EMERGING TECHNOLOGIES, UNIVERSITY AT 
BUFFALO) GOSTUJE NA ODSJEKU DRAMATURGIJE I ADU U SKLOPU 
SERIJE PREDAVANJA I RADIONICA “INTRODUCING DRAMATURGY 
STUDIES”.
 
GOSTOVANJE ORGANIZIRAMO UZ POMOĆ DONACIJE PROMOTING 
AMERICAN ARTS AND EDUCATION VELEPOSLANSTVA SJEDINJENIH 
AMERIČKIH DRŽAVA U ZAGREBU
 
 
Sarah Bay-Cheng održat će javno predavanje, a potom i radionicu za studente 
dramaturgije u tjednu od 16. do 21. prosinca 2013. Teme najavljujemo uskoro. 
 
 
Sarah Bay-Cheng is Professor of Theatre and the Founding Director for the 
Techne Institute for Art and Emerging Technologies at the University at 
Buffalo. The Techne Institute fosters the intersection of art and sciences through 
competitive funding, international artist residencies, and educational outreach. In 
2010, she created the MA/PhD program in Theatre & Performance and currently
serves as Director of Graduate Studies in Theatre. Her current research focuses
on intersections of performance and technology, digital historiography and
performance, and contemporary theatre, but she has previously published on 
modern drama and the avant-garde, including Gertrude Stein, poetic drama, and 
film history.
Book publications include Mapping Intermediality in Performance (University 
of Amsterdam Press/University of Chicago Press, 2010), Poets at Play: An 
Anthology of Modernist Drama (Susquehanna University Press, 2010), and 
Mama Dada: Gertrude Stein's Avant-Garde Theater (Routledge, 2005). She is 
currently collaborating on a new book and website project, Taxonomies: Media
x Performance with Jennifer Parker-Starbuck and David Saltz for the University 
of Michigan Press. She is a regular contributor to journals such as Yale/Theater, 
Theatre Journal (US), Performance Research (UK), among others.
 
In 2012, Bay-Cheng created the book series Avant-Gardes in Performance for 
Palgrave Macmillan Press, which she currently co-edits with Martin Harries. From 
2010-2013, she served as the Performance Review Editor for Theatre Journal 
(2010-2013), and is currently a member of the editorial board for the International 
Journal of Performance Arts and Digital Media. In 2012, she joined the Board 
of Directors for Performance Studies International (PSi). Since 2008, she has 
participated as a member of the working group for Intermediality in Theatre & 
 
Performance, and the International Federation for Theatre Research (IFTR/
FIRT).
Bay-Cheng is also a founding member of the Intermedia Performance Studio 
(IPS) at UB--an experimental performance collaboration integrating virtual reality,
artificial intelligence, and live performance. She is an affiliated faculty member 
in the Department of Media Study, the Poetics Program in the Department of
English, and the Department of Global Gender Studies. Bay-Cheng received her 
AB in Theatre and Film from Wellesley College and her PhD in Theatre from the 
University of Michigan. Links to past publications and talks can be found at: http:/
/buffalo.academia.edu/SarahBayCheng.
 

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